“It is gentle in tone and fascinating in its nuances. What seems like a simple canon becomes movement repeated in a different direction with a variation. Frequently, canon turns into unison dancing. How Mr. Robbins does it is his secret.”
—Anna Kisselgoff, New York Times, 1980
Stephanie Saland and Kyra Nichols in Jerome Robbins' 'Rondo'. Photos by Martha Swope, 1980.
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