"It seemed as if it would be a relatively ordinary night of repertory on Thursday evening when the New York City Ballet performed at the...

On Robbins’ Other Dances: “The ballet needs a kind of innate eloquence to make its understated, folk-accented solos and partnering shine....

“Christopher d’Amboise and Wilhelmina Frankfurt were so extreme in their high jumps, with legs tucked under, that they seemed suspended...

(26/50) I’m very inspired by all the family legacies in this company. I was able to find at least 10 instances of dancers whose children...

THE Donizetti grande pas de chat as shown by 5 NYCB icons. (top left) Merrill Ashley. Photo by Martha Swope, 1979. (top center) Patricia...

"Ms. Nichols spotted intriguing similarities between the Lilac Fairy and Glinda, the Good Witch in The Wizard of Oz. 'There's some...

“It is gentle in tone and fascinating in its nuances. What seems like a simple canon becomes movement repeated in a different direction...

Raymonda Variations has been described as, “an adorable confection, concocted of marzipan, diamond, youth, and nostalgia” in “candy floss...

(11/12) Here are a few miscellaneous photos that didn’t fit a specific topic, but were too beautiful not to share. (top left) Kyra...

Piano Pieces was choreographed by Jerome Robbins for the Tchaikovsky Festival in 1981. Prior to that, Robbins had never presented...

(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

(3/4) Another moment in the genesis of the ballet came one day when Robbins watched dancers rehearsing the Swan Lake adagio and was...