On Balanchine’s Act II pas de Deux in Midsummer Nights Dream: “But brief as it was, the change from many dancers to just two gave a...

Edwin Denby on Concerto Barocco in 1945: “The correspondence of eye and ear is at its most surprising in the poignant adagio movement. At...

Edwin Denby, the poet and dance critic wrote the following about Balanchine’s ‘Ballet Imperial’ [Now Tchaikovsky Piano Concerto no. 2] as...

Approaching, on June 10th, is the 90th anniversary of the first performance of Serenade—Balanchine’s first creation on American soil. To...

Edwin Denby wrote:“Robbins’ Interplay, once in Billy Rose's"Concert Varieties" and now a success in Ballet Theater's  repertory, is of...