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Chicago 50 - No. 8 - Sabella Nitti (Hunyak)
Sabella in the Cook County Jail Sabella Nitti was an Italian immigrant living outside Chicago in the early 1920s whose story became one of the most striking examples of injustice in American criminal history. When her husband, Francesco Nitti, disappeared from their farm in 1922, Sabella, and a younger farmhand Crudelle were accused of murdering him. With no evidence, they were released. But when her husband's decomposed body was found a year later in a drainage ditch, Sabell

Lauryn Johnson
Nov 6


Chicago 50 - No. 7 - Kitty Malm (Go-To-Hell Kitty)
Katherine "Kitty" Malm "Katherine 'Kitty Malm' was nineteen years old with a two year old daughter, estranged from a husband who she claimed verbally abused her. The young, poor, uneducated immigrant entrusted few others with her daughter's care. 'The only one in this whole damn world I'd let take care of her is my mother. She'd be good to her.' "After taking up with convicted murderer Otto Malm, who called her 'Sweetheart,' the two attempted to break into a sweater factory o

Lauryn Johnson
Nov 5


Chicago 50 - No. 6 -Belva Gaertner (Velma Kelly)
Belva Gaertner Belva Gaertner was a 40-year-old 3-time divorcee when she fatally shot her lover, Walter Law, a married man with a toddler at home, in the front seat of a sedan. When taken in to custody she claimed to have been too drunk to know whether or not she had killed the man. Her exact words were, "I don't know. I was drunk." "For three months, automobile salesman Walter Law, and Belva spent their nights together visiting Chicago nightclubs and drinking illegal liquor.

Lauryn Johnson
Nov 5


Chicago 50 - No. 5 - Albert Annan (Amos Hart)
Albert Annan, husband to Buelah Annan , worked as mechanic at an auto garage. They were married in 1920 in Cook County. He worked long hours to earn $60 a week. They shared a small apartment in the 800 block of East Forty-Sixth Street, in today's Bronzeville neighborhood. Top Right to Left: Albert Anan, Buelah Annan, lawyer William Stewart. Bottom: Albert Annan testifies. While Albert was at work, Buelah was having an affair with her co-worker Harry Kalstedt. One evening he

Lauryn Johnson
Nov 5


Chicago 50 - No.4 - Harry Kalstedt (Fred Casely)
Harry Kalstedt Buelah Annan [Roxie] met Harry Kalstedt [Fred Casely] at Tennant's Modern Laundry where they both worked. "On April 3, 1924, Harry 'invited himself' over to Beulah and Albert’s south-side apartment (Albert was at work). He brought two quarts of wine with him, which he and Beulah proceeded to consume. In this less-than-sober condition, an argument arose. Beulah later told investigators, 'We drank all of it [the wine] and began to quarrel. I taunted Harry with t

Lauryn Johnson
Nov 2


Chicago 50 - No. 3 - Buelah Annan (Roxie Hart)
"Already twice married and a mother by the age of twenty-four, neither marriage nor motherhood seemed to satisfy Beulah Annan [inspiration for Roxie Hart]. She met Harry Kalstedt [inspiration for Fred Casely]—a married man who had a six-year-old daughter—at work. Walks together quickly progressed to drinks at her apartment while her husband, Albert Annan [Inspiration for Amos Hart], was away working. The pair were intimate on at least three occasions, she would later admit. "

Lauryn Johnson
Nov 2


Chicago 50 - No. 2 - Maurine Dallas Watkins
Maurine Dallas Watkins. Photo by Florence Vandamm, 1926. "Maurine Watkins was hired as a reporter for the Chicago Tribune in February 1924--without any previous professional journalism work to her credit. For the next eight months, Maurine covered a string of sensational crimes, headlined by four murder ases perpetrated by women. These women, brought together under the tabloid glare, form the basis for what has become 'Chicago.' "The first time Maurine Watkins name appeared o

Lauryn Johnson
Nov 2


Chicago 50 - No. 1 - Leading Ladies
To learn about the history of the 1975 musical Chicago, we must actually look back over 100 years to 1924. Our story begins with two real-life murderesses, Buelah Annan (left) and Belva Gaertner (right), who were charged with killing their husbands in Cook County, Chicago. Their stories were sensationalized in the newspapers by journalists, including reporter Maurine Dallas Watkins, whose articles highlighted the women's beauty and the unlikely prospect of either of them bei

Lauryn Johnson
Nov 1


ABT 85 - Fokine's Les Sylphides
From Diaghilev and the Ballet Russe by Boris Kochno: A romantic reverie in one act by Michel Fokine. Music by Frédéric Chopin, seven piano pieces orchestrated for the Ballets Russes production by Sergei Taneyev, Anatole Liadov, Alexander Glazounov, Nicholas. Tcher-epnine, and Igor Stravinsky. Choreography by Michel Fokine. Décor and costumes by Alexandre Benois. (In 1917, a new set by Carlo Sokrate replaced the Benois décor.) First performance by the Ballets Russes: Théâtre

Lauryn Johnson
Oct 18


ABT 85 - Twyla Tharp's Push Comes to Shove
The following is a chapter from Twyla Tharp's book Push Comes to Shove : Twyla Tharp Foundation Shortly after Sue's Leg, I met with Lucia Chase and Oliver Smith, co-directors of American Ballet Theatre, and their associate, Antony Tudor, in a very large, fairly intimidating, sumptuously appointed, and appropriately high-up corner office in a Chase Manhattan Bank building. Wasting no time, Miss Chase asked me to make a ballet for Mikhail Baryshnikov, Gelsey Kirkland, Martine v

Lauryn Johnson
Oct 16


ABT 85 - Twyla Tharp's Bach Partita
Robert La Fosse, Magali Messac, Cynthia Gregory, Fernando Bujones, Martine van Hamel, and Clark Tippet. Photo by Martha Swope, 1983. "Twyla Tharp's Bach Partita is a pure-dance, plotless work. Focused on formal concerns that deal with structure in music and dance, it also explores a host of movement possibilities. [...] This is the conceptual Tharp at her most sophisticated and at her most elegant. Those who climbed aboard the Tharp bandwagon when she went into an overtly po

Lauryn Johnson
Oct 15


ABT 85 - Twyla Tharp's Sextet
Sextet  is a virtuosic pure-dance work for three couples. The choreography is fast, flamboyant and technically rigorous. The couples...

Lauryn Johnson
Oct 13


NYCB Vol. 16 No. 11- Western Symphony
Suki Schorer. Photo by Martha Swope, 1964. Nicholas Magallanes, Suki Schorer, Gloria Govrin, Frank Ohman 1964. Photo by Erio Piccagliani...

Lauryn Johnson
Oct 6


NYCB Vol. 16 No. 10 - Red Angels
To watch my 80-minute lecture on Red Angels, featuring demonstrations by Mira Nadon and violinist Mary Rowell, click here . Wendy Whelan....

Lauryn Johnson
Sep 30


NYCB Vol. 16 No. 9 - Episodes
Bart Cook and Allegra Kent in Episodes. Photo by Martha Swope. From Once a Dancer... by Allegra Kent: "When Balanchine created the part...

Lauryn Johnson
Sep 28


NYCB Vol. 16 No. 8 - Western Symphony
Gloria Govrin and Frank Ohman. Photo by Martha Swope, 1965. From -- Balanchine's Dancing Cowboy  by Frank Ohman "[Balanchine] fostered...

Lauryn Johnson
Sep 27


NYCB Vol. 16 No. 7 - Donizetti Variations
Merrill Ashley in Donizetti Variations. Photo by Martha Swope, 1979. Said one dancer of Donizetti Variations, ‘It’s like an endless...

Lauryn Johnson
Sep 26


NYCB Vol. 16 No. 6 - Square Dance and Elisha C. Keeler
Elisha C. Keeler Square dance calling was in Elisha’s blood. His father, Thaddeus Keeler, farmer, carpenter and sawyer, was a well known...

Lauryn Johnson
Sep 22


NYCB Vol. 16 No. 5 - Donizetti Variations
Jacques d'Amboise and Melissa Hayden. Photo by Fred Fehl, 1960. "In Holland, a country I love with most of my heart, you don't have to...

Lauryn Johnson
Sep 19


NYCB Vol. 16 No. 4 - Ballade
The following is a chapter from Merrill Ashley's autobiography Dancing for Balanchine . In this chapter she recalls the making of the...

Lauryn Johnson
Sep 18
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