top of page



NYCB Vol. 15 No. 16 - La Valse
“La Valse may have been the quintessential role of LeClercq, not only for its angular sophistication and doomed half-innocence, which she...

Lauryn Johnson
May 21


NYCB Vol. 14 No. 14 - Firebird
"When we started the pas de deux, I felt secure. Standing up stage, I took an extra breath, and then made the flying leap into Frank’s...

Lauryn Johnson
Feb 11


NYCB Vol. 14 No. 11 - Sylvia Pas de Deux
“Balanchine’s Sylvia Pas de Deux was designed around Tallchief’s technical virtuosity. Although Nicholas Magallanes was her original...

Lauryn Johnson
Feb 6


NYCB Vol. 8 No. 16 - Apollo
“Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in which...

Lauryn Johnson
Oct 5, 2023


Happy Birthday, Mr. B!
(1/2) “There is no future anyhow, it’s always the present, forever.” —George Balanchine in a 1963 interview for New York Public Radio....

Lauryn Johnson
Jan 22, 2023


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 12, 2022


NYCB Vol. 2 No. 13 - Swan Lake
(2/10) When Balanchine mounted his own one-act production of Swan Lake in 1951, New York Times critic John Martin was “bewildered” by the...

Lauryn Johnson
Feb 12, 2022


NYCB Vol. 2 No. 11 - La Valse
Last La Valse of the season. The camera sure loves Tanny. I’m mesmerized by these photos. Which is your favorite? (above) Tanaquil...

Lauryn Johnson
Feb 9, 2022


NYCB Vol 2. No. 6 - La Valse
The original principal couple in Balanchine’s La Valse (1951) was Tanaquil LeClercq and Nicholas Magallanes. The day after the premiere...

Lauryn Johnson
Feb 2, 2022
bottom of page