In this episode, 87 year-old Balanchine ballerina, Allegra Kent, sits down to talk about her life and career. Beginning with her...

“In Apollo’s second variation, Balanchine hit on a startling image to convey that the god is conscious of his divinity. Twice Apollo...

“Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in which...

800 Words on 8 Balanchine Ballets* *commissioned for the Vail Dance Festival This summer, the Vail Dance Festival is celebrating the...

Jacques d’Amboise was the definitive interpreter of the role Apollo from 1951-1968. In a 2016 interview for the Balanchine Foundation,...

Balanchine choreographed Apollo in 1928 when he was just 25 years old. In 1951, he revived it and cast André Eglevsky (aged 34) as...

(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

(5/6) In his 1936 autobiography, (affiliate link) Stravinsky wrote of the original 1928 decor and costumes for Apollo: “I did not see eye...

(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...