Patricia McBride: “The woman is strong, but she’s very feminine and the male is the powerhouse. We had such passion together dancing it,...

Balanchine choreographed “Who Cares?” in 1970 to sixteen Gershwin tunes. “The real hero of the piece is a simple, good-natured,...

[40/50] “I named the Dew Drop myself—there was no Dew Drop in Leningrad.” —Balanchine in Repertory in Review: 40 Years of the New York...

Raymonda Variations has been described as, “an adorable confection, concocted of marzipan, diamond, youth, and nostalgia” in “candy floss...

(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Just a Misha/Rubies appreciation post. After performing at the White House for President Carter, the president asked Misha how he would...