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NYCB Vol. 7 No. 24 - Swan Lake
"Tchaikovsky enjoyed the rehearsals for Swan Lake which began at the Bolshoi. He wrote to his brother, 'If you only knew how funny it is...

Lauryn Johnson
May 17, 2023


NYCB Vol. 7 No. 23 - Swan Lake
When Tanaquil LeClercq debuted as Odette in Swan Lake at 22 years old, the article in the Times the next day was titled: "Dancer...

Lauryn Johnson
May 16, 2023


NYCB Vol. 7 No. 22 - Swan Lake
Heading into a week of Balanchine's Swan Lake! On Diana Adams: “Her Odette is every inch the enchanted princess, imbued with a tender...

Lauryn Johnson
May 15, 2023


NYCB Vol. 7 No. 21 - Fancy Free
Baryshnikov dancing the 2nd solo in Robbins’ Fancy Free. Photo by Martha Swope, 1979 Video from “Dance in America” dir. Emile Ardolino, 1981

Lauryn Johnson
May 10, 2023


NYCB Vol. 7 No. 20 - Agon
In 1962, NYCB went on tour to the Soviet Union. Allegra performed Agon with Arthur Mitchell. She wrote: “I was filling in for Diana Adams...

Lauryn Johnson
May 9, 2023


NYCB Vol. 7 No. 19 - Agon
Diana Adams on the original rehearsals for Agon: "Balanchine rehearsals whip you into a frenzy. Keeping up with him was so difficult. I...

Lauryn Johnson
May 8, 2023


NYCB Vol. 7 No. 18 - Afternoon of a Faun
The most unreal photos you've ever seen of Afternoon of a Faun. (In my opinion...) These photos began as 1-inch by 1-inch proofs with red...

Lauryn Johnson
May 6, 2023


NYCB Vol. 7 No. 17 - Concerto Barocco
Lourdes Lopez and Merrill Ashley in Concerto Barocco. Photo by Steven Caras, mid 1980s. (left) Heather Watts (R) & Sean Lavery. Photo by...

Lauryn Johnson
May 5, 2023


NYCB Vol. 7 No. 16 - Concerto Barocco
"Kent has always been an enigma. […] She has a mystery, an allure that is rare in American ballerinas. […] Every step she takes on stage,...

Lauryn Johnson
May 4, 2023


NYCB Vol. 7 No. 15 - La Source
Suzy Pilarre in La Source. Photo by Martha Swope, 1973. Listen to our podcast episode where Susan Pilarre speaks about her life in...

Lauryn Johnson
May 2, 2023


NYCB Vol. 7 No. 14 - Afternoon of a Faun
“Every ballet, I believe, is individual. It sets up its own world, its own society and mores; it has its own life. The approach,...

Lauryn Johnson
Apr 29, 2023


NYCB Vol. 7 No. 13 - Afternoon of a Faun
Kyra Nichols on the kiss at the end of the ballet: “You don’t really touch your face, you just reach up and feel the heat of the kiss on...

Lauryn Johnson
Apr 28, 2023


NYCB Vol. 7 No. 12 - Donizetti Variations
THE Donizetti grande pas de chat as shown by 5 NYCB icons. (top left) Merrill Ashley. Photo by Martha Swope, 1979. (top center) Patricia...

Lauryn Johnson
Apr 28, 2023


NYCB Vol. 7 No. 11 - La Source
No commentary today, just Gelsey and Helgi in La Source. Gelsey Kirkland & Helgi Tomasson. Photos by Martha Swope, 1974.

Lauryn Johnson
Apr 27, 2023


NYCB Vol. 7 No. 10 - Afternoon of a Faun
When you watch Robbins' Afternoon of a Faun in the audience, you become aware that the opening of the proscenium is actually the mirrored...

Lauryn Johnson
Apr 26, 2023


NYCB Vol. 7 No. 9 - Concerto Barocco
These photos show Concerto Barocco at London's Covent Garden during NYCB's second tour to London in 1952. The company's first trip to...

Lauryn Johnson
Apr 25, 2023


NYCB Vol. 7 No. 8 - La Source
When Balanchine choreographed La Source in 1968 it seemed to confuse everyone including the critics. Although they didn't dislike it,...

Lauryn Johnson
Apr 24, 2023


NYCB Vol. 7 No. 7 - Square Dance
When Square Dance was choreographed in 1957, the cast included popular square dance caller, Elisha Keeler. The ballet featured his whitty...

Lauryn Johnson
Apr 22, 2023


NYCB Vol. 7 No. 6 - Kammermusik No. 2
“In many ways, the stars of 'Kammermusik' are the eight men in the corps. They have the first word and the last. […] The point about...

Lauryn Johnson
Apr 21, 2023


NYCB Vol. 7 No. 5 - Concerto Barocco
Suzanne Farrell on Concerto Barocco: "It is a simple ballet, but one of profoundly spiritual origins and intentions. Dancing it, one’s...

Lauryn Johnson
Apr 21, 2023
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