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NYCB Vol. 11 No. 11- Rubies
"Miss Watts danced this exuberant quirky choreography with a special slink. […] She has captured the pinup-girl tone of the choreography....

Lauryn Johnson
May 3, 2024


NYCB Vol. 10 No. 28 - Symphony in Three Movements
“Christopher d’Amboise and Wilhelmina Frankfurt were so extreme in their high jumps, with legs tucked under, that they seemed suspended...

Lauryn Johnson
Feb 27, 2024


NYCB Vol. 10 No. 7 - The Four Seasons
The beginning of Jerome Robbins’ ‘The Four Seasons’ introduces Janus the god of new beginnings, in this case representing the new year....

Lauryn Johnson
Jan 30, 2024


NYCB Vol. 8 No. 16 - Apollo
“Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in which...

Lauryn Johnson
Oct 6, 2023


NYCB Vol. 7 No. 17 - Concerto Barocco
Lourdes Lopez and Merrill Ashley in Concerto Barocco. Photo by Steven Caras, mid 1980s. (left) Heather Watts (R) & Sean Lavery. Photo by...

Lauryn Johnson
May 6, 2023


NYCB Vol. 7 No. 12 - Donizetti Variations
THE Donizetti grande pas de chat as shown by 5 NYCB icons. (top left) Merrill Ashley. Photo by Martha Swope, 1979. (top center) Patricia...

Lauryn Johnson
Apr 29, 2023


NYCB Vol. 6 No. 7 - Walpurgisnacht Ballet
Of Heather Watt's solo in Walpurgisnacht, Anna Kisselgoff wrote: “There was a breathtaking instant when she seemed suspended in slow...

Lauryn Johnson
Jan 22, 2023


NYCB Vol. 5 No. 35 - Nutcracker
[35/50] "The Dewdrop is different from the flowers. For one, the flowers don’t leave the stage. They are constantly swirling around,...

Lauryn Johnson
Dec 21, 2022


NYCB Vol. 3 No. 33 - Piano Pieces
Piano Pieces was choreographed by Jerome Robbins for the Tchaikovsky Festival in 1981. Prior to that, Robbins had never presented...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 34 - The Four seasons - Winter
Unfortunately, there is not a large selection of photos of Robbins’ The Four Seasons and I had a difficult time finding ones of good...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 31 - Apollo
(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

Lauryn Johnson
May 15, 2022


NYCB Vol. 3 No. 29 - Apollo
(5/6) In his 1936 autobiography, (affiliate link) Stravinsky wrote of the original 1928 decor and costumes for Apollo: “I did not see eye...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 11, 2022


NYCB Vol. 3 No. 23 - Apollo
(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 7 - Goldberg Variations
“I like to see bodies in movement in time and in space. And to see the relationships between them. See what happens between people...

Lauryn Johnson
Apr 24, 2022


NYCB Vol. 1 No. 20 - Nutcracker
Nutcracker number 20 of the season, featuring Heather Watts as Dewdrop and the Sugar Plum Fairy. (left) Martha Swope, 1983. Dewdrop....

Lauryn Johnson
Dec 12, 2021
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