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NYCB Vol. 4 No. 9 - Symphony in C
"The thrill of the evening came with Balanchine's Symphony in C. With no story to restrain its kinetic form or to hinder its...

Lauryn Johnson
Sep 27, 2022


NYCB Vol. 4 No. 1 - Scotch Symphony
Tonight NYCB's season opens with 3 ballets, one of which being Balanchine's Scotch Symphony. The ballet originally featured Maria...

Lauryn Johnson
Sep 19, 2022


NYCB Vol. 3 No. 25 - Orpheus
Tallchief recalls that Balanchine and Stravinsky worked “side by side in the rehearsal studio. Ordinarily, when George was...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 17 - Firebird
As Tallchief remembered from her stage vantage: “A firestorm of applause erupted in the City Center, and the audience was on its feet...

Lauryn Johnson
May 3, 2022


NYCB Vol. 2 No. 23 - Prodigal Son
The ballet Prodigal Son was originally choreographed by Balanchine in 1929 for the Diaghilev’s Ballet Russe. The composer, Prokofiev,...

Lauryn Johnson
Feb 26, 2022


NYCB Vol. 2 No. 13 - Swan Lake
(2/10) When Balanchine mounted his own one-act production of Swan Lake in 1951, New York Times critic John Martin was “bewildered” by the...

Lauryn Johnson
Feb 12, 2022


Nutcracker Vol. 1 No. 4 - Maria Tallchief
(4/50) Maria Tallchief, Balanchine’s original Sugar Plum Fairy and “America’s First Prima Ballerina.”

Lauryn Johnson
Nov 28, 2021
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