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NYCB Vol. 8 No. 15 - Who Cares?
Balanchine choreographed “Who Cares?” in 1970 to sixteen Gershwin tunes. “The real hero of the piece is a simple, good-natured,...

Lauryn Johnson
Oct 4, 2023


NYCB Vol. 4 No. 24 - Symphony in C
Mimi Paul in Symphony in C Photos by Martha Swope, 1964.

Lauryn Johnson
Oct 13, 2022


Vail Dance Festival Vol. 1 No. 1 - Other Dances
Baryshnikov recalled the rehearsal process for Other Dances with Jerome Robbins: “He himself showed us everything; he moves beautifully,...

Lauryn Johnson
Jul 27, 2022


NYCB Vol. 3 No. 38 - A Midsummer Night's Dream
(1/12) Twelve performances of A Midsummer Night’s Dream begins today! These first two posts feature photos from the original production...

Lauryn Johnson
May 20, 2022


NYCB Vol. 3 No. 36 - The Four Seasons - Summer
When I watched this ballet in 2018, it was one of the first times I noticed the major importance of lighting. Jennifer Tipton’s lighting...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 35 - The Four Seasons - Spring
I first saw Four Seasons during the Robbins 100 Festival in 2018. I have two favorite parts of this ballet, and the moment in the first...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 33 - Piano Pieces
Piano Pieces was choreographed by Jerome Robbins for the Tchaikovsky Festival in 1981. Prior to that, Robbins had never presented...

Lauryn Johnson
May 17, 2022


NYCB Vol. 3 No. 32 - Stravinsky & Balanchine
Balanchine on Stravinsky’s music: “What holds me, now and always, is the vitality in the substance of each measure. Each measure has its...

Lauryn Johnson
May 15, 2022


NYCB Vol. 3 No. 30 - Agon
“In my opinion it is [Stravinsky’s]—it is our—most perfect work, representing a total collaboration between musician and choreographer.”...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 31 - Apollo
(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 28 - Duo Concertant
Duo Concertant was choreographed by Balanchine in 1972 for the Stravinsky Festival and it contains 5 movements. “To the first movement,...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 12, 2022


NYCB Vol. 3 No. 26 - Baiser de la Fée
Tonight, Tiler Peck and Joseph Gordon will dance the Divertimento from Le Baiser de la Fée, originally danced by Patricia McBride and...

Lauryn Johnson
May 11, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 23 - Apollo
(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

Lauryn Johnson
May 9, 2022


NYCB Vol. 3 No. 22 - Stravinsky Violin Concerto
Today I’m sharing some breathtaking photos of the original cast of Stravinsky Violin Concerto and I am struck by not just the beauty and...

Lauryn Johnson
May 7, 2022


NYCB Vol. 3 No. 21 - Pulcinella
(1/2) For the 1972 Stravinsky Festival, Balanchine and Robbins co-choreographed a production of Pulcinella which was admittedly...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 20 - Symphony in Three Movements
After watching the premiere of Symphony in Three Movements at the 1972 Stravinsky Festival, Nancy Goldner wrote: “As in all Balanchine...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 19 - Scherzo Fantastique
This season, Justin Peck’s Scherzo Fantastique is on stage, but 50 years ago Robbins choreographed to the same Stravinsky score. I...

Lauryn Johnson
May 5, 2022


NYCB Vol. 3 No. 18 - Circus Polka
Stravinsky’s Circus Polka had originally been composed in 1942 for the “Ballet of Elephants” that Balanchine choreographed for the circus...

Lauryn Johnson
May 4, 2022
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