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NYCB Vol. 3 No. 42 - A Midsummer Night's Dream
(5/12) Titania, Queen of the Fairies (top, left) Suzanne as Titania and Nolan T’Sani as her Cavalier, 1975. (top, center) Suzanne as...

Lauryn Johnson
May 24, 2022


NYCB Vol. 3 No. 40 - A Midsummer Night's Dream
(3/12) In 1966, Balanchine’s A Midsummer Night’s Dream was filmed on a soundstage to preserve most elements of the original production....

Lauryn Johnson
May 21, 2022


NYCB Vol. 3 No. 39 - A Midsummer Night's Dream
(2/12) Here are additional photos from the original 1962 production. When Balanchine was a child, he was an elf in a production of...

Lauryn Johnson
May 20, 2022


NYCB Vol. 3 No. 38 - A Midsummer Night's Dream
(1/12) Twelve performances of A Midsummer Night’s Dream begins today! These first two posts feature photos from the original production...

Lauryn Johnson
May 20, 2022


NYCB Vol. 3 No. 36 - The Four Seasons - Summer
When I watched this ballet in 2018, it was one of the first times I noticed the major importance of lighting. Jennifer Tipton’s lighting...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 35 - The Four Seasons - Spring
I first saw Four Seasons during the Robbins 100 Festival in 2018. I have two favorite parts of this ballet, and the moment in the first...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 37 - The Four Seasons - Autumn
Earlier, I shared that one of my favorite parts in this ballet is the 4 men in Spring. My other favorite part is the role of the Autumnal...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 33 - Piano Pieces
Piano Pieces was choreographed by Jerome Robbins for the Tchaikovsky Festival in 1981. Prior to that, Robbins had never presented...

Lauryn Johnson
May 17, 2022


NYCB Vol. 3 No. 34 - The Four seasons - Winter
Unfortunately, there is not a large selection of photos of Robbins’ The Four Seasons and I had a difficult time finding ones of good...

Lauryn Johnson
May 17, 2022


NYCB Vol. 3 No. 32 - Stravinsky & Balanchine
Balanchine on Stravinsky’s music: “What holds me, now and always, is the vitality in the substance of each measure. Each measure has its...

Lauryn Johnson
May 15, 2022


NYCB Vol. 3 No. 30 - Agon
“In my opinion it is [Stravinsky’s]—it is our—most perfect work, representing a total collaboration between musician and choreographer.”...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 31 - Apollo
(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 28 - Duo Concertant
Duo Concertant was choreographed by Balanchine in 1972 for the Stravinsky Festival and it contains 5 movements. “To the first movement,...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 29 - Apollo
(5/6) In his 1936 autobiography, (affiliate link) Stravinsky wrote of the original 1928 decor and costumes for Apollo: “I did not see eye...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 12, 2022


NYCB Vol. 3 No. 26 - Baiser de la Fée
Tonight, Tiler Peck and Joseph Gordon will dance the Divertimento from Le Baiser de la Fée, originally danced by Patricia McBride and...

Lauryn Johnson
May 11, 2022


NYCB Vol. 3 No. 25 - Orpheus
Tallchief recalls that Balanchine and Stravinsky worked “side by side in the rehearsal studio. Ordinarily, when George was...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 23 - Apollo
(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

Lauryn Johnson
May 9, 2022


NYCB Vol. 3 No. 22 - Stravinsky Violin Concerto
Today I’m sharing some breathtaking photos of the original cast of Stravinsky Violin Concerto and I am struck by not just the beauty and...

Lauryn Johnson
May 7, 2022
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