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NYCB Vol. 3 No. 42 - A Midsummer Night's Dream
(5/12) Titania, Queen of the Fairies (top, left) Suzanne as Titania and Nolan T’Sani as her Cavalier, 1975. (top, center) Suzanne as...

Lauryn Johnson
May 24, 2022


NYCB Vol. 3 No. 40 - A Midsummer Night's Dream
(3/12) In 1966, Balanchine’s A Midsummer Night’s Dream was filmed on a soundstage to preserve most elements of the original production....

Lauryn Johnson
May 21, 2022


NYCB Vol. 3 No. 39 - A Midsummer Night's Dream
(2/12) Here are additional photos from the original 1962 production. When Balanchine was a child, he was an elf in a production of...

Lauryn Johnson
May 20, 2022


NYCB Vol. 3 No. 38 - A Midsummer Night's Dream
(1/12) Twelve performances of A Midsummer Night’s Dream begins today! These first two posts feature photos from the original production...

Lauryn Johnson
May 20, 2022


NYCB Vol. 3 No. 32 - Stravinsky & Balanchine
Balanchine on Stravinsky’s music: “What holds me, now and always, is the vitality in the substance of each measure. Each measure has its...

Lauryn Johnson
May 15, 2022


NYCB Vol. 3 No. 30 - Agon
“In my opinion it is [Stravinsky’s]—it is our—most perfect work, representing a total collaboration between musician and choreographer.”...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 31 - Apollo
(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 28 - Duo Concertant
Duo Concertant was choreographed by Balanchine in 1972 for the Stravinsky Festival and it contains 5 movements. “To the first movement,...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 29 - Apollo
(5/6) In his 1936 autobiography, (affiliate link) Stravinsky wrote of the original 1928 decor and costumes for Apollo: “I did not see eye...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 26 - Baiser de la Fée
Tonight, Tiler Peck and Joseph Gordon will dance the Divertimento from Le Baiser de la Fée, originally danced by Patricia McBride and...

Lauryn Johnson
May 11, 2022


NYCB Vol. 3 No. 25 - Orpheus
Tallchief recalls that Balanchine and Stravinsky worked “side by side in the rehearsal studio. Ordinarily, when George was...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 23 - Apollo
(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

Lauryn Johnson
May 9, 2022


NYCB Vol. 3 No. 22 - Stravinsky Violin Concerto
Today I’m sharing some breathtaking photos of the original cast of Stravinsky Violin Concerto and I am struck by not just the beauty and...

Lauryn Johnson
May 7, 2022


NYCB Vol. 3 No. 21 - Pulcinella
(1/2) For the 1972 Stravinsky Festival, Balanchine and Robbins co-choreographed a production of Pulcinella which was admittedly...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 20 - Symphony in Three Movements
After watching the premiere of Symphony in Three Movements at the 1972 Stravinsky Festival, Nancy Goldner wrote: “As in all Balanchine...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 16 - Stravinsky Festival
Today the Stravinsky Festival opens, celebrating the 50th anniversary of the 1972 festival. Before the curtain came up, Balanchine took...

Lauryn Johnson
May 2, 2022


NYCB Vol. 3 No. 13 - Allegro Brillante
“Allegro Brillante, which began as a last-minute replacement for a canceled work, remains in the repertory after 20 [now 66] years. […]...

Lauryn Johnson
Apr 29, 2022


NYCB Vol. 3 No. 9 - Divertimento No. 15
In 1961, after Divertimento had not been performed in 2 years, New York Times dance critic John Martin said: “Indeed, this is a ballet...

Lauryn Johnson
Apr 26, 2022


NYCB Vol. 3 No. 8 - Serenade
Although Serenade’s meaning has been subject to endless speculation since it was created 87 years ago—Mr. B himself even giving...

Lauryn Johnson
Apr 25, 2022
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