NYCB's 2025-26 advertising campaign by Thibaut Grevet seems to have been inspired by Gjon Mili's stroboscopic images from the 20th...

Photos by Beverly Gallegos for Dance Magazine. “Ah, this pearl,” Mr. Balanchine mused aloud, “now how do I mount it?” --John Corry, New...

In an interview with Edwin Denby on Dances at a Gathering, Robbins said, “The second dance, for John Prinz and Allegra Kent, I call it...

After being away from NYCB for a decade, working on various Broadway shows, Jerome Robbins returned home to the company after he received...

Tonight NYCB’s Spring Season opens—the last of the 75th anniversary year! I can’t believe this year has gone so quickly. Stick with me to...

To craft just the right caption for this anniversary, I scoured my library of Balanchine books and settled on the following 6 quotes from...

“On the fourth and top floor of an unprepossessing building which squats on the noisy northeast corner of Manhattan’s Madison Avenue and...

“The facility that greeted the students that opening day in 1934 was a spacious one with high ceilings. Most of the classes were given in...

Today marks the 90th Anniversary of the School of American Ballet. This month I'll be sharing content about the early days of SAB and...

In Suzanne Farrell’s autobiography, Holding on to the Air (affiliate link) she talks about a moment at the end of the Diamonds pas de...

Today begins a year-long celebration of the 75th Anniversary of New York City Ballet and George Balanchine's impact on the ballet world....

Last La Valse of the season. The camera sure loves Tanny. I’m mesmerized by these photos. Which is your favorite? (above) Tanaquil...