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NYCB Vol. 3 No. 34 - The Four seasons - Winter
Unfortunately, there is not a large selection of photos of Robbins’ The Four Seasons and I had a difficult time finding ones of good...

Lauryn Johnson
May 17, 2022


NYCB Vol. 3 No. 32 - Stravinsky & Balanchine
Balanchine on Stravinsky’s music: “What holds me, now and always, is the vitality in the substance of each measure. Each measure has its...

Lauryn Johnson
May 15, 2022


NYCB Vol. 3 No. 30 - Agon
“In my opinion it is [Stravinsky’s]—it is our—most perfect work, representing a total collaboration between musician and choreographer.”...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 31 - Apollo
(6/6) “I think Apollo is the best role for a male dancer that has ever been choreographed, and I think it has more in it than any dancer...

Lauryn Johnson
May 14, 2022


NYCB Vol. 3 No. 28 - Duo Concertant
Duo Concertant was choreographed by Balanchine in 1972 for the Stravinsky Festival and it contains 5 movements. “To the first movement,...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 29 - Apollo
(5/6) In his 1936 autobiography, (affiliate link) Stravinsky wrote of the original 1928 decor and costumes for Apollo: “I did not see eye...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 12, 2022


NYCB Vol. 3 No. 26 - Baiser de la Fée
Tonight, Tiler Peck and Joseph Gordon will dance the Divertimento from Le Baiser de la Fée, originally danced by Patricia McBride and...

Lauryn Johnson
May 11, 2022


NYCB Vol. 3 No. 25 - Orpheus
Tallchief recalls that Balanchine and Stravinsky worked “side by side in the rehearsal studio. Ordinarily, when George was...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 23 - Apollo
(1/6) “Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in...

Lauryn Johnson
May 9, 2022


NYCB Vol. 3 No. 22 - Stravinsky Violin Concerto
Today I’m sharing some breathtaking photos of the original cast of Stravinsky Violin Concerto and I am struck by not just the beauty and...

Lauryn Johnson
May 7, 2022


NYCB Vol. 3 No. 21 - Pulcinella
(1/2) For the 1972 Stravinsky Festival, Balanchine and Robbins co-choreographed a production of Pulcinella which was admittedly...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 20 - Symphony in Three Movements
After watching the premiere of Symphony in Three Movements at the 1972 Stravinsky Festival, Nancy Goldner wrote: “As in all Balanchine...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 19 - Scherzo Fantastique
This season, Justin Peck’s Scherzo Fantastique is on stage, but 50 years ago Robbins choreographed to the same Stravinsky score. I...

Lauryn Johnson
May 5, 2022


NYCB Vol. 3 No. 18 - Circus Polka
Stravinsky’s Circus Polka had originally been composed in 1942 for the “Ballet of Elephants” that Balanchine choreographed for the circus...

Lauryn Johnson
May 4, 2022


NYCB Vol. 3 No. 17 - Firebird
As Tallchief remembered from her stage vantage: “A firestorm of applause erupted in the City Center, and the audience was on its feet...

Lauryn Johnson
May 3, 2022


NYCB Vol. 3 No. 16 - Stravinsky Festival
Today the Stravinsky Festival opens, celebrating the 50th anniversary of the 1972 festival. Before the curtain came up, Balanchine took...

Lauryn Johnson
May 2, 2022


NYCB Vol. 3 No. 15 - Afternoon of a Faun
(4/4) Today is for the men of Afternoon of a Faun. Eddie Villella shared in his autobiography: “I learned that I had actually been...

Lauryn Johnson
Apr 30, 2022


NYCB Vol. 3 No. 14 - Afternoon of a Faun
(3/4) Another moment in the genesis of the ballet came one day when Robbins watched dancers rehearsing the Swan Lake adagio and was...

Lauryn Johnson
Apr 30, 2022
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