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NYCB Vol. 8 No. 22 - Symphony in C
Speaking of the opening night performance in 1948, Anatole Chujoy wrote, "The thrill of the evening came with Balanchine's Symphony in C....

Lauryn Johnson
Oct 12, 2023


NYCB Vol. 8 No. 19 - Orpheus
On the opening night of Orpheus in 1947: “When the slight figure of Stravinsky appeared at the conductor’s sand he was given a tumultuous...

Lauryn Johnson
Oct 9, 2023


NYCB Vol. 8 No. 16 - Apollo
“Ballet began when Terpsichore touched Apollo’s finger, as on the Sistine ceiling God touches Adam’s, and inspired a pas de deux in which...

Lauryn Johnson
Oct 5, 2023


NYCB Vol. 8 No. 10 - Bourrée Fantasque
Bourrée Fantasque was choreographed by Balanchine in 1949 and was described by Nancy Reynolds (affiliate link) as, “melodious, colorful,...

Lauryn Johnson
Sep 28, 2023


NYCB Vol. 6 No. 20 - Fancy Free
Jerome Robbins: "One should feel immediately that the three are good friends, used to bumming around together, used to each other’s...

Lauryn Johnson
Feb 5, 2023


NYCB Vol. 6 No. 6 - Firebird
“The ballet was made for Maria, and she went after it like a demon, as if possessed, with ferocity. That is certainly one of Balanchine’s...

Lauryn Johnson
Jan 21, 2023


NYCB Vol. 6 No. 5 - Haieff Divertimento
Balanchine on Haieff Divertimento: “The piece was composed originally for piano, which was the form in which I first heard Haieff play...

Lauryn Johnson
Jan 21, 2023


NYCB Vol. 6 No. 1 - Haieff Divertimento
We're back! Tonight is opening night of NYCB's Winter 2023 season. In his autobiography, Jacques d'Amboise recalled being in the audience...

Lauryn Johnson
Jan 17, 2023


NYCB Vol. 4 No. 9 - Symphony in C
"The thrill of the evening came with Balanchine's Symphony in C. With no story to restrain its kinetic form or to hinder its...

Lauryn Johnson
Sep 27, 2022


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 12, 2022


NYCB Vol. 3 No. 25 - Orpheus
Tallchief recalls that Balanchine and Stravinsky worked “side by side in the rehearsal studio. Ordinarily, when George was...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 24 - Apollo
(3/6) Balanchine on the idea that his ballets are abstract: “No piece of music, no dance can in itself be abstract. You hear a physical...

Lauryn Johnson
May 10, 2022


NYCB Vol. 3 No. 17 - Firebird
As Tallchief remembered from her stage vantage: “A firestorm of applause erupted in the City Center, and the audience was on its feet...

Lauryn Johnson
May 3, 2022


NYCB Vol. 2 No. 23 - Prodigal Son
The ballet Prodigal Son was originally choreographed by Balanchine in 1929 for the Diaghilev’s Ballet Russe. The composer, Prokofiev,...

Lauryn Johnson
Feb 26, 2022


NYCB Vol. 2 No. 13 - Swan Lake
(2/10) When Balanchine mounted his own one-act production of Swan Lake in 1951, New York Times critic John Martin was “bewildered” by the...

Lauryn Johnson
Feb 12, 2022


NYCB Vol. 2 No. 11 - La Valse
Last La Valse of the season. The camera sure loves Tanny. I’m mesmerized by these photos. Which is your favorite? (above) Tanaquil...

Lauryn Johnson
Feb 9, 2022
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