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NYCB Vol. 7 No. 12 - Donizetti Variations
THE Donizetti grande pas de chat as shown by 5 NYCB icons. (top left) Merrill Ashley. Photo by Martha Swope, 1979. (top center) Patricia...

Lauryn Johnson
Apr 28, 2023


NYCB Vol. 7 No. 11 - La Source
No commentary today, just Gelsey and Helgi in La Source. Gelsey Kirkland & Helgi Tomasson. Photos by Martha Swope, 1974.

Lauryn Johnson
Apr 27, 2023


NYCB Vol. 7 No. 10 - Afternoon of a Faun
When you watch Robbins' Afternoon of a Faun in the audience, you become aware that the opening of the proscenium is actually the mirrored...

Lauryn Johnson
Apr 26, 2023


NYCB Vol. 7 No. 9 - Concerto Barocco
These photos show Concerto Barocco at London's Covent Garden during NYCB's second tour to London in 1952. The company's first trip to...

Lauryn Johnson
Apr 25, 2023


NYCB Vol. 7 No. 8 - La Source
When Balanchine choreographed La Source in 1968 it seemed to confuse everyone including the critics. Although they didn't dislike it,...

Lauryn Johnson
Apr 24, 2023


NYCB Vol. 7 No. 7 - Square Dance
When Square Dance was choreographed in 1957, the cast included popular square dance caller, Elisha Keeler. The ballet featured his whitty...

Lauryn Johnson
Apr 22, 2023


NYCB Vol. 7 No. 6 - Kammermusik No. 2
“In many ways, the stars of 'Kammermusik' are the eight men in the corps. They have the first word and the last. […] The point about...

Lauryn Johnson
Apr 21, 2023


NYCB Vol. 7 No. 5 - Concerto Barocco
Suzanne Farrell on Concerto Barocco: "It is a simple ballet, but one of profoundly spiritual origins and intentions. Dancing it, one’s...

Lauryn Johnson
Apr 21, 2023


NYCB Vol. 7 No. 4 - Afternoon of a Faun
"The first ballet I ever did on stage was in Paris, and it was Afternoon of a Faun, and I was 15 and didn't realize how extraordinary...

Lauryn Johnson
Apr 20, 2023


NYCB Vol. 7 No. 3 - Raymonda Variations
On Raymonda Variations, Balanchine wrote: "The music itself, its grand and generous manner, its joy and playfulness, was for me more than...

Lauryn Johnson
Apr 19, 2023


NYCB Vol. 7 No. 2 - Kammermusik No. 2
“Here they are, outstanding simply because they have been malleable to genius.” This is how Anna Kisselgoff, described Colleen Neary,...

Lauryn Johnson
Apr 18, 2023


NYCB Vol. 7 No. 1 - Concerto Barocco
"The three hallmarks of the American classic style are poetry, athleticism, and musicality, and these three graces are exquisitely...

Lauryn Johnson
Apr 17, 2023


National Piano Day
“Mr. B used to close up the pianos in the theater or the studios before leaving. He would always clean up the pianos, take away the...

Lauryn Johnson
Mar 28, 2023


Reflections on Ann Reinking's Memorial
I often lament not being born a few decades earlier. There are so many dancers and choreographers I wish I could have worked with,...

Lauryn Johnson
Mar 20, 2023


New York, New York No. 2
In a 2004 A&E biography special on Liza Minnelli, composer John Kander told this story of the origin of the Theme from New York, New...

Lauryn Johnson
Mar 20, 2023


New York, New York No. 1
As New York, New York prepares for its first preview this Friday on Broadway, I got curious and wanted to find out more about the history...

Lauryn Johnson
Mar 19, 2023


Dancin' No. 7
Happy Opening to the company of Dancin'! As always, I celebrate all theater and dance events by looking back at where we came from. Today...

Lauryn Johnson
Mar 18, 2023


Dancin' No. 6
"Above it all, is Miss Reinking. There are other first-rate performers, but she is clearly the star. Miss Reinking possesses a number of...

Lauryn Johnson
Mar 3, 2023


Dancin' No. 5
Ann Reinking in a clip from the DVD recording of “Fosse” (2001). Start at 1:39:44

Lauryn Johnson
Mar 2, 2023


Dancin' No. 4
Happy first preview to the cast of Dancin'! Just a day prior to the 1978 opening of Dancin', Bob Fosse told the Times: “I feel like I’m...

Lauryn Johnson
Mar 2, 2023
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