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NYCB Vol. 3 No. 35 - The Four Seasons - Spring
I first saw Four Seasons during the Robbins 100 Festival in 2018. I have two favorite parts of this ballet, and the moment in the first...

Lauryn Johnson
May 19, 2022


NYCB Vol. 3 No. 37 - The Four Seasons - Autumn
Earlier, I shared that one of my favorite parts in this ballet is the 4 men in Spring. My other favorite part is the role of the Autumnal...

Lauryn Johnson
May 19, 2022


NYCB Vol. 3 No. 33 - Piano Pieces
Piano Pieces was choreographed by Jerome Robbins for the Tchaikovsky Festival in 1981. Prior to that, Robbins had never presented...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 34 - The Four seasons - Winter
Unfortunately, there is not a large selection of photos of Robbins’ The Four Seasons and I had a difficult time finding ones of good...

Lauryn Johnson
May 18, 2022


NYCB Vol. 3 No. 27 - The Cage
“I don’t see why some people are so shocked by ‘The Cage’. If you observe closely you must realize that it is actually not more than the...

Lauryn Johnson
May 13, 2022


NYCB Vol. 3 No. 21 - Pulcinella
(1/2) For the 1972 Stravinsky Festival, Balanchine and Robbins co-choreographed a production of Pulcinella which was admittedly...

Lauryn Johnson
May 7, 2022


NYCB Vol. 3 No. 19 - Scherzo Fantastique
This season, Justin Peck’s Scherzo Fantastique is on stage, but 50 years ago Robbins choreographed to the same Stravinsky score. I...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 18 - Circus Polka
Stravinsky’s Circus Polka had originally been composed in 1942 for the “Ballet of Elephants” that Balanchine choreographed for the circus...

Lauryn Johnson
May 5, 2022


NYCB Vol. 3 No. 15 - Afternoon of a Faun
(4/4) Today is for the men of Afternoon of a Faun. Eddie Villella shared in his autobiography: “I learned that I had actually been...

Lauryn Johnson
May 1, 2022


NYCB Vol. 3 No. 14 - Afternoon of a Faun
(3/4) Another moment in the genesis of the ballet came one day when Robbins watched dancers rehearsing the Swan Lake adagio and was...

Lauryn Johnson
May 1, 2022


NYCB Vol. 3 No. 12 - Afternoon of a Faun
(2/4) The original cast of Robbins’ Afternoon of a Faun was Tanaquil LeClercq and Francisco Moncion. In an interview with Nancy Reynolds,...

Lauryn Johnson
Apr 29, 2022


NYCB Vol. 3 No. 10 - Afternoon of a Faun
Afternoon of a Faun: What’s not to love? The swooning music, the dreamy atmosphere, Robbins’ inspired choreography. Edward Villella and...

Lauryn Johnson
Apr 28, 2022


NYCB Vol. 3 No. 11 - Afternoon of a Faun
(1/4) The beauty of these photos gives me chills. Jerome Robbins working with two casts of dancers on Afternoon of a Faun in 1964. Edward...

Lauryn Johnson
Apr 28, 2022


NYCB Vol. 3 No. 7 - Goldberg Variations
“I like to see bodies in movement in time and in space. And to see the relationships between them. See what happens between people...

Lauryn Johnson
Apr 24, 2022


NYCB Vol. 3 No. 5 - Goldberg Variations
By now, you know that I find the lineage of dance so important to study and honor. Dance is not a skill that can be learned by reading a...

Lauryn Johnson
Apr 23, 2022


NYCB Vol. 3 No. 4 - Goldberg Variations
Yesterday I featured many Serenade women… Today is for the men of Goldberg Variations. In 1974, Robbins wrote: “Last Friday I saw...

Lauryn Johnson
Apr 22, 2022


NYCB Vol. 3 No. 2 - Goldberg Variations
“Jerome Robbins’ new ballet, Goldberg Variations, is a work of such amplitude and grandeur that it can make you fall in love with the...

Lauryn Johnson
Apr 20, 2022


NYCB Vol. 2 No. 23 - Prodigal Son
The ballet Prodigal Son was originally choreographed by Balanchine in 1929 for the Diaghilev’s Ballet Russe. The composer, Prokofiev,...

Lauryn Johnson
Feb 26, 2022
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