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NYCB Vol. 3 No. 13 - Allegro Brillante
“Allegro Brillante, which began as a last-minute replacement for a canceled work, remains in the repertory after 20 [now 66] years. […]...

Lauryn Johnson
Apr 29, 2022


NYCB Vol. 3 No. 12 - Afternoon of a Faun
(2/4) The original cast of Robbins’ Afternoon of a Faun was Tanaquil LeClercq and Francisco Moncion. In an interview with Nancy Reynolds,...

Lauryn Johnson
Apr 28, 2022


NYCB Vol. 3 No. 10 - Afternoon of a Faun
Afternoon of a Faun: What’s not to love? The swooning music, the dreamy atmosphere, Robbins’ inspired choreography. Edward Villella and...

Lauryn Johnson
Apr 27, 2022


NYCB Vol. 3 No. 11 - Afternoon of a Faun
(1/4) The beauty of these photos gives me chills. Jerome Robbins working with two casts of dancers on Afternoon of a Faun in 1964. Edward...

Lauryn Johnson
Apr 27, 2022


NYCB Vol. 3 No. 9 - Divertimento No. 15
In 1961, after Divertimento had not been performed in 2 years, New York Times dance critic John Martin said: “Indeed, this is a ballet...

Lauryn Johnson
Apr 26, 2022


NYCB Vol. 3 No. 8 - Serenade
Although Serenade’s meaning has been subject to endless speculation since it was created 87 years ago—Mr. B himself even giving...

Lauryn Johnson
Apr 25, 2022


NYCB Vol. 3 No. 7 - Goldberg Variations
“I like to see bodies in movement in time and in space. And to see the relationships between them. See what happens between people...

Lauryn Johnson
Apr 23, 2022


NYCB Vol. 3 No. 5 - Goldberg Variations
By now, you know that I find the lineage of dance so important to study and honor. Dance is not a skill that can be learned by reading a...

Lauryn Johnson
Apr 22, 2022


NYCB Vol. 3 No. 6 - Serenade
Two Serenade moments to share with you today. Descriptions come from Toni Bentley's book Serenade: A Balanchine Story Susan Hendl, Kay...

Lauryn Johnson
Apr 22, 2022


NYCB Vol. 3 No. 4 - Goldberg Variations
Yesterday I featured many Serenade women… Today is for the men of Goldberg Variations. In 1974, Robbins wrote: “Last Friday I saw...

Lauryn Johnson
Apr 21, 2022


NYCB Vol. 3 No. 3 - Serenade
Here are 5 of Balanchine’s Waltz Girls in the same arabesque. So interesting to see how the same choreography can still be so different....

Lauryn Johnson
Apr 20, 2022


NYCB Vol. 3 No. 2 - Goldberg Variations
“Jerome Robbins’ new ballet, Goldberg Variations, is a work of such amplitude and grandeur that it can make you fall in love with the...

Lauryn Johnson
Apr 19, 2022


NYCB Vol. 3 No. 1 - Serenade
Tonight we begin again where it all began: Serenade, Balanchine’s first work in America (1934). With tonight’s performance of Serenade,...

Lauryn Johnson
Apr 18, 2022


Balanchine's Easter
Balanchine was known for his elaborate Easter dinners which took him days to prepare. Although he celebrated Orthodox Easter which is...

Lauryn Johnson
Apr 16, 2022


NYCB Vol. 2 No. 23 - Prodigal Son
The ballet Prodigal Son was originally choreographed by Balanchine in 1929 for the Diaghilev’s Ballet Russe. The composer, Prokofiev,...

Lauryn Johnson
Feb 26, 2022


NYCB Vol. 2 No. 22 - Slaughter on Tenth Avenue
Tonight is the first night of the Short Stories program! Featured in this post is the NYCB premiere of Slaughter on Tenth Avenue with...

Lauryn Johnson
Feb 25, 2022


NYCB Vol. 2 No. 21 - Swan Lake
(10/10) Lincoln Kirstein told New York Times in 1986, “Our Swan Lake has never been traditional, anyway. Balanchine created it as an...

Lauryn Johnson
Feb 20, 2022


NYCB Vol. 2 No. 20 - Swan Lake
(9/10) A lot of people say Balanchine’s one-act Swan Lake is cold and stripped of emotion. Although many story elements are absent I...

Lauryn Johnson
Feb 19, 2022


NYCB Vol. 2 No. 19 - Swan Lake
(8/10) Between Martha’s wonderful captures, Balanchine’s choreography, and the the beauty of the dancers—whittling thousands of photos...

Lauryn Johnson
Feb 18, 2022


NYCB Vol. 2 No. 18 - Swan Lake
(6/10) I really love picture 4, the diagonal energy that begins in Andre’s back foot and extends all the way through Patty’s arabesque...

Lauryn Johnson
Feb 17, 2022
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