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NYCB Vol. 3 No. 20 - Symphony in Three Movements
After watching the premiere of Symphony in Three Movements at the 1972 Stravinsky Festival, Nancy Goldner wrote: “As in all Balanchine...

Lauryn Johnson
May 7, 2022


NYCB Vol. 3 No. 19 - Scherzo Fantastique
This season, Justin Peck’s Scherzo Fantastique is on stage, but 50 years ago Robbins choreographed to the same Stravinsky score. I...

Lauryn Johnson
May 6, 2022


NYCB Vol. 3 No. 18 - Circus Polka
Stravinsky’s Circus Polka had originally been composed in 1942 for the “Ballet of Elephants” that Balanchine choreographed for the circus...

Lauryn Johnson
May 5, 2022


NYCB Vol. 3 No. 17 - Firebird
As Tallchief remembered from her stage vantage: “A firestorm of applause erupted in the City Center, and the audience was on its feet...

Lauryn Johnson
May 4, 2022


NYCB Vol. 3 No. 16 - Stravinsky Festival
Today the Stravinsky Festival opens, celebrating the 50th anniversary of the 1972 festival. Before the curtain came up, Balanchine took...

Lauryn Johnson
May 3, 2022


NYCB Vol. 3 No. 15 - Afternoon of a Faun
(4/4) Today is for the men of Afternoon of a Faun. Eddie Villella shared in his autobiography: “I learned that I had actually been...

Lauryn Johnson
May 1, 2022


NYCB Vol. 3 No. 14 - Afternoon of a Faun
(3/4) Another moment in the genesis of the ballet came one day when Robbins watched dancers rehearsing the Swan Lake adagio and was...

Lauryn Johnson
May 1, 2022


NYCB Vol. 3 No. 13 - Allegro Brillante
“Allegro Brillante, which began as a last-minute replacement for a canceled work, remains in the repertory after 20 [now 66] years. […]...

Lauryn Johnson
Apr 30, 2022


NYCB Vol. 3 No. 10 - Afternoon of a Faun
Afternoon of a Faun: What’s not to love? The swooning music, the dreamy atmosphere, Robbins’ inspired choreography. Edward Villella and...

Lauryn Johnson
Apr 28, 2022


NYCB Vol. 3 No. 11 - Afternoon of a Faun
(1/4) The beauty of these photos gives me chills. Jerome Robbins working with two casts of dancers on Afternoon of a Faun in 1964. Edward...

Lauryn Johnson
Apr 28, 2022


NYCB Vol. 3 No. 9 - Divertimento No. 15
In 1961, after Divertimento had not been performed in 2 years, New York Times dance critic John Martin said: “Indeed, this is a ballet...

Lauryn Johnson
Apr 27, 2022


NYCB Vol. 3 No. 8 - Serenade
Although Serenade’s meaning has been subject to endless speculation since it was created 87 years ago—Mr. B himself even giving...

Lauryn Johnson
Apr 26, 2022


NYCB Vol. 3 No. 7 - Goldberg Variations
“I like to see bodies in movement in time and in space. And to see the relationships between them. See what happens between people...

Lauryn Johnson
Apr 24, 2022


NYCB Vol. 3 No. 6 - Serenade
Two Serenade moments to share with you today. Descriptions come from Toni Bentley's book Serenade: A Balanchine Story Susan Hendl, Kay...

Lauryn Johnson
Apr 23, 2022


NYCB Vol. 3 No. 4 - Goldberg Variations
Yesterday I featured many Serenade women… Today is for the men of Goldberg Variations. In 1974, Robbins wrote: “Last Friday I saw...

Lauryn Johnson
Apr 22, 2022


NYCB Vol. 3 No. 3 - Serenade
Here are 5 of Balanchine’s Waltz Girls in the same arabesque. So interesting to see how the same choreography can still be so different....

Lauryn Johnson
Apr 21, 2022


NYCB Vol. 3 No. 2 - Goldberg Variations
“Jerome Robbins’ new ballet, Goldberg Variations, is a work of such amplitude and grandeur that it can make you fall in love with the...

Lauryn Johnson
Apr 20, 2022


NYCB Vol. 3 No. 1 - Serenade
Tonight we begin again where it all began: Serenade, Balanchine’s first work in America (1934). With tonight’s performance of Serenade,...

Lauryn Johnson
Apr 19, 2022


Balanchine's Easter
Balanchine was known for his elaborate Easter dinners which took him days to prepare. Although he celebrated Orthodox Easter which is...

Lauryn Johnson
Apr 17, 2022


NYCB Vol. 2 No. 23 - Prodigal Son
The ballet Prodigal Son was originally choreographed by Balanchine in 1929 for the Diaghilev’s Ballet Russe. The composer, Prokofiev,...

Lauryn Johnson
Feb 26, 2022
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